Saturday, November 20, 2010

Simplicity according to Da Vinci

Here's a great post from a cool blog I just found called "The Russians Used a Pencil"...

“Simplicity is the ultimate sophistication.” —Leonardo Da Vinci




Simplicity, by definition, is freedom from complexity; the absence of luxury or pretentiousness. Sophistication, on the other hand, often implies a sense of style, cultivated beauty and refinement. So is Da Vinci contradicting himself here?



On the contrary. I believe the ultimate level of sophistication happens when the refining process is so complete that there is truly nothing else to add and nothing else to take away; when the nature of a thing is perfectly represented and understood by its state and appearance. To behold it is to know and understand it.



This may seem overly philosophical, but as my co-author, Josh Porter, said recently, “Simplicity is much more than the trite “less is more” we so often hear. Simplicity is… about clarity.” And clarity comes from constant refinement.



John Maeda’s First Law of Simplicity states: The simplest way to achieve simplicity is through thoughtful reduction. Refinement that is thoughtful, calculated, and whenever possible and appropriate, based on data is one of the fundamental tools of any designer.



Anyone who occupies themselves with the task of creating truly usable products becomes instantly aware that achieving simplicity is not that simple. For any single feature in a product we must take into account the way it looks, the way it functions, its place in the overall system, affordances to help convey context of how and why it is to be used, as well as taking into account the motivation of the user.





Designers are in a constant process of weighing each decision against previous ones, against common conventions and against the user’s goals in order to create an interface, a product or a service that is clear in all its meaning and function. There is no denying the difficulty in this process. There is a delicate balance between the simplicity of use and the complexity of usefulness. But it is true the product that is clear in its purpose, elegant in its execution and simple in its use will set itself apart from the competition and endear itself to the user.



Designing for simplicity is a process of calculated refinement.

Monday, November 1, 2010

Cicero on Writing to Speak

Useful info from Nathan Campbell's blog... While trying to get my head around Augustine’s On Christian Teaching (which isn’t particularly complicated) I’ve been reading the work of some of his influencers. Including Cicero, the great Roman Orator and champion of the Republic. Cicero wrote a book called De Oratore (On the Orators) which you can read in a parallel Latin/English .txt version here. It’s not pleasant to navigate.


He had some good stuff to say about preaching.

“This is why, in those exercises of your own, though there is a value in plenty of extempore speaking, it is still more serviceable to take time for consideration, and to speak better prepared and more carefully. But the chief thing is what, to tell the truth, we do least (for it needs great pains which most of us shirk), — to write as much as possible. The pen is the best and most eminent author and teacher of eloquence, and rightly so. For if an extempore and casual speech is easily beaten by one prepared and thought-out, this latter in turn will assuredly be surpassed by what has been written with care and diligence. The truth is that all the commonplaces, whether furnished by art or by individual talent and wisdom, at any rate such as appertain to the subject of our writing, appear and rush forward as we are searching out and surveying the matter with all our natural acuteness; and all the thoughts and expressions, which are the most brilliant in their several kinds, must needs flow up in succession to the point of our pen ; then too the actual marshalling and arrangement of words is made perfect in the course of writing, in a rhythm and measure proper to oratory as distinct from poetry.

These are the things which in good orators produce applause and admiration; and no man will attain these except by long and large practice in writing, however ardently he may have trained himself in those off-hand declamations; he too who approaches oratory by way of long practice in writing, brings this advantage to his task, that even if he is extemporizing, whatever he may say bears a likeness to the written word; and moreover if ever, during a speech, he has introduced a written note, the rest of his discourse, when he turns away from the writing, will proceed in unchanging style. Just as when a boat is moving at high speed, if the crew rest upon their oars, the craft herself still keeps her way and her run, though the driving force of the oars has ceased, so in an unbroken discourse, when written notes are exhausted, the rest of the speech still maintains a like progress, under the impulse given by the similarity and energy of the written word. ”